That night a barefoot blond tousle-headed surfer dude showed up, toting a projector and reels of film. His name was George Greenough. Bob put on an Albert King blues album and we watched what was then revolutionary footage of George on his homemade kneeboard and with his homemade wide-angled camera powered by a motorcycle battery, inside the curls of waves. Breathtaking.
Later that year George did some footage for Pink Floyd's "The Wall," and was working on "The Innermost Limits of Pure Fun." Very few people knew what he was up to. He came up to Bolinas twice. Once we had a showing at my house, and the 2nd time, because by then surfers had heard of his work, we rented the community center—and it was packed.
I remember one shot of a wave in Australia at dawn, George speeding along the bottom of the wave, with the early morning sun backlighting the top of the wave in shimmering radiance. Another when he was inside the curl; it was like looking through the lens of a camera, a circle showing the beach, palm trees and blue sky, and then the circle tightened, got progressively smaller and then—wham! Wipeout, camera rotating as George spun around in the turbulence of the breaking wave.
Over the years, George became famous for his photography, shot from a kneeboard. Bob (Easton) said George was like a martial artist, on his knees and tuned into the wave, part of it—vs. the standing up conquer-the-wave approach.
George moved to Australia some years ago. I talked to him about including his house in Tiny Homes, but we never did get it together.
Surfers' Journal (Vol. 21, No. 6), there's an article by George about his latest invention, a sail-powered surfboard and a fascinating adventure yarn of him (with intricate details of his techniques) out —alone—one grey, windy day, carving across 20+ foot waves on the coast of New South Wales, Australia. Still out on the edge.